collaborative exhibition with artist, alejandro t. acierto.
Set within the first colonized neighborhood of the Coastal Salish people, in Seattle, WA. This artwork transformed the gallery into a layered site of remembrance and exposure. The gallery surface is a historical bridge connecting the camera, shower, and archive. We built a pinhole camera out of the space to document the site, tiled the north and south walls, and made an exposure of the exterior. Our work and research share a dialogue in non-linear sites of photographic space, like archives and prisons, that shape conditions of state capture.
Together, we stay with, and stage, the architecture that remains.
Pictured from top to bottom [all images have an amber cast from the photo-sensitive lighting installed for the pinhole exposure and processing that happened on-site and during the run of the exhibition]: